Emma Fuchtman (BA art history ‘26) is the recipient of a highly competitive Fulbright/Maastricht University Award* to the Netherlands for 2026-27.
Hometown: Cedar Falls, Iowa
Could you give us a synopsis of what you’ll be doing with your Fulbright?
With my Fulbright, I will study at Maastricht University in the Netherlands, where I will pursue a master’s degree in arts and heritage: policy, management, and education. This program aligns perfectly with my interests in cultural heritage studies and the illicit trafficking of looted art. I’m excited not only to continue my education, but also to explore the arts and culture of the Netherlands that I studied in past art history courses.
How do you envision this will influence your life and future career?
I believe this opportunity will greatly benefit my future career. It reflects my perseverance through a long and challenging application process, as well as the academic and personal achievements that led to my acceptance. Living and studying in a new country will strengthen my curiosity and adaptability as I adjust to an international environment.
What advice do you have for future students interested in applying for a Fulbright?
Trust that you deserve this opportunity, keep going even when the process feels overwhelming, and lean on your advisors for support. My application was strengthened through multiple drafts, extensive feedback, and asking questions along the way. You will hear this advice often for a reason: be country-specific and explain exactly why that country is the best fit for your future studies. Even a small amount of research goes a long way.
Were there experiences at the University of Iowa that inspired you to pursue a Fulbright?
Many of my experiences at the University of Iowa influenced me to pursue a Fulbright, even if I didn’t realize it at the time. Most notably, I took a course titled Fakes, Frauds, and Forgeries: The Dark Side of Art History, which sparked my interest in addressing the illicit art market. I have also completed several museum studies courses that emphasize the growing importance of defining, caring for, and displaying cultural heritage objects. When my professor for Fakes, Frauds, and Forgeries encouraged me to apply for a Fulbright, I felt confident beginning the application process with a strong academic foundation in the field.
Are there individuals you’d like to thank for their investment in this process?
First and foremost, I would like to thank Dr. Brenda Longfellow. I have taken influential art history courses with her and served as her research assistant, and she was the person who nominated me to apply for a Fulbright. She also served as a recommender and advisor throughout the application process. I would also like to thank Heather Skeens and Dean Susan Dinan of Adelphi University, who served as my additional recommenders and generously invested their time and support. Finally, I am deeply grateful to Karen Wachsmuth and Sylvia Dean, whose invaluable feedback and constant encouragement were essential to this opportunity.
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